Twigs first mixtape to date is surprisingly light and care-free, yet is nearly always worthy of close listening
REVIEW | Bury Me At Makeout Creek: An Exploration of Love’s Horrors
Mitski’s breakthrough third album Bury Me At Makeout Creek – named after a line from The Simpsons – is a concept album of sorts, based around the terror and joys of love.
RANKING St. Vincent’s 20 Best Songs
Across six studio albums, Annie Clark has certified herself as one of rock’s greatest modern-day stars. Here are the 20 best songs of her phenomenal catalogue so far.
REVIEW | Courtney Barnett Captures Lockdown Mundanity on ‘Things Take Time, Take Time’
‘Things Take Time, Take Time’ captures the sheer mundanity of lockdown better than any other album to date, and does so without ever forcing listeners to painfully relive the collective trauma of that time
REVIEW | Valentine: Indie Rock Masterpiece
Three years after releasing her landmark debut at just 18 years old, Lindsey Jordan proves herself to be a prodigy; creating an encapsulation of modern day indie rock at it’s very best
‘=’ REVIEW | A Calculated Return
Sheeran’s latest LP occasionally reaches the heights of previous works, but for the most part he sounds checked out and content to do the bare minimum to stay relevant
REVIEW | Blue Banisters: Staggering Sincerity
Lana Del Rey scales down her music to it’s core foundations; her usual cinematic ambitions replaced by a quiet self-assurance
REVIEW | Easy On Me: Adele’s An Artist You Can Rely On
Adele remains utterly compelling; her powerhouse vocals able to sell just about any song
REVIEW | ‘Seventeen Going Under’: Moving and Vital Tales of Working Class Sadness
‘Seventeen Going Under’ establishes Fender as the greatest songwriter to come out of Britain in the last decade, if not the century
‘Valentine’ Track Review: Snail Mail Proves The Wait Was Worth It
The heady highs and lows of ‘Valentine’ instantly capture the euphoria of her greatest hit ‘Pristine’
Rave Reviews 