Crash is a lovingly crafted pop album that despite the occasional mis-step never feels rushed or half-hearted
Category: Pop
Throwback Review | ‘Season Of Glass’ And Yoko Ono’s Misunderstood Brilliance
Season of Glass is a stunning meditation on loss, made all the more powerful by it’s ability to transcend the burdens of grief
REVIEW | ‘Pompeii’: Pristine Art Pop
Cate Le Bon’s pristine new album is as much about falling apart as it is about piecing yourself back together afterwards
Caprisongs Review: FKA Twigs Finds Magic in New Format
Twigs first mixtape to date is surprisingly light and care-free, yet is nearly always worthy of close listening
‘=’ REVIEW | A Calculated Return
Sheeran’s latest LP occasionally reaches the heights of previous works, but for the most part he sounds checked out and content to do the bare minimum to stay relevant
REVIEW | Blue Banisters: Staggering Sincerity
Lana Del Rey scales down her music to it’s core foundations; her usual cinematic ambitions replaced by a quiet self-assurance
REVIEW | Lorde Finds Inner Peace But Becomes Disconnected on ‘Solar Power’
More so than ‘Melodrama’, and *far* more than her debut ‘Pure Heroine’, ‘Solar Power’ prioritises vibes over just about everything else
REVIEW | Does Billie Eilish Avoid The Sophomore Slump On ‘Happier Than Ever’?
After the experimentation of her last full length project, Eilish looks to the timeless sounds of the past. The futurism of her debut album is still present here, it’s just no longer the central focus
REVIEW | ‘Welcome To The Madhouse’: Nothing As Memorable As ‘Dance Monkey’
In contrast to the distinctive ‘Dance Monkey’, ‘Welcome To The Madhouse’ gets lost in a sea of lifeless, generic EDM, where feelings of mental anguish are reduced to their crudest and least affecting
REVIEW | ‘The Turning Wheel’: Did It Deserve The Rare Fantano 10?
An enchanting display of a clearly immensely talented artist
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